Photography: Michele Yong
Art Direction & Styling: Jonathan Liang
Hair & Makeup: Benoit Guinot
Model: Jeade

Photography: Michele Yong
Art Direction: Jonathan Liang
Styling: Sono Fukunishi
Makeup: Béatrice Eni
Hair: Shuko Sumida
Model: Mariya Markova

After such a great experience with Stéphane on our previous shoot, the master came to capture another one of our projects.

I have to say my fondest memory from this day was scarfing down the amazing butter croissants in the middle of the outfit changes. Michele will always be Michele.

For the October issue of Oxygen, Jonathan and I had the bright idea of shooting in the Paris metro. We weren’t sure how it would turn out shooting in such a public place with a shot amount of time. And where could the model change? It was a wild ride changing through many different stations while following my exact plan to make sure we didn’t loose time.

What kind of shoot would it be if there wasn’t anything crazy along the way? Boring.

It was also my first time working with video extraordinaire  Stéphane Carcopino-Tusoli. He blew my mind away with the amazing video he made of our shoot, behind the scenes kind of stuff. Take a look at it and see for yourself. Makes you wish you were there!

And course the final photos.

I guess you can say it’s almost like the Malaysian equivalent to Net-A-Porter meets Style.com!

Quick fitting with the models.

Routine hair and makeup. Plus a big mess.

I had no idea where to shoot until the very last minute and decided to just go up to my trusty rooftop, one of my favourite places to shoot simply because of the vast space, view and convenience. I may have exhausted it a little too much though. Oops. I do not recommend it for people with Acrophobia because it is 18 floors high and on the edge of a hill. Hehe. 

Mark taking in the view.

Grace with her ‘guns’ ready to terminate all lovey-doveys.

Give me your PMS face! More pain, more pain!!

The shoot may have seemed very simple but I found it to be quite a challenge because of limitations to how creative I could get. Looking back at it now I think I could’ve pushed a little more but we did exhaust ourselves for it. Simple clothes and simple setup felt more difficult than it seems, hard to believe I know. Again as with all Breeze shoots, the video and the pages.

Thank goodness for ice cream and long sessions at Mosaic. Oh yeah.

Richard, Grace, Mark, Charlene and me.

Off we go! (I drive a HUGE antique Benz, if you were wondering)

Ok, this post is long overdue and about time I write all this down. Before I started on my 6-week trip I had another shoot for Breeze. Finding a suitable model for this was quite a challenge because I wanted to go in an androgynous direction. Yes, it’s been done a million times before but we all love it and I haven’t seen enough of it in local publications. So anyway, which model would be willing to allow me to transform them into either sex or looked like it could be remotely possible?

The answer is Grace Kho. I’ve worked with her before a year ago and she really stood out amongst all the other girls. Humble, funny, and totally on the same wavelength as I am, shooting with her was a pleasure because we understand what each other want. LOVE.

Fitting, makeup, fitting, makeup.

The process of making Grace look like a man. Or sort of.

The ever helpful Richard Nelson played a big role in this shoot. He was a major hand in helping me search for the models, location, work behind the scenes, take unnecessary photos and do bits and pieces for this shoot. In fact, he was the one who suggested that I use Grace. Richard is a very friendly and chatty personality to have around, which is good to help break the tense concentration I tend to have sometimes on overbear on myself. I have also never in my life seen anyone offering themselves to be my slave. Yikes.

“Oh my God, what did Michele do to my face!?”

I like this shot very much. I really need to get my nails done though.

We photographed under a flyover in the Karamunsing area. When I told this to people, they gave me a weird look and wondering how on earth I decided to shoot there. Again, Richard first suggested this location to me. I never thought about using the place since we seem to overlook that area though we’ve been there a thousand times. I’m really glad I listened to him and it was perfect for the dramatic lighting I wanted to get.

Curious spectators at the bus stop across the street from us.

More curious spectators.

Check out all those clips, they actually do an excellent job at holding the clothes tightly.

Shooting in that area was interesting because a lot of pedestrians walk pass to get to the bus stop or shopping mall across from where we were. Every time someone walked by we would get weird stares and even questions, the most common being “Is this for a magazine?”. Seriously, I didn’t realised you cared! I guess Grace was being too fabulous of a model and regular people have never seen a proper one in action before. Malaysians are incredibly curious. Then again, I got the same curious audience when I shot in Khaosan (Bangkok) and Redcliffe (Brisbane) as well.

People have mentioned that I tend to pose with the model, which I didn’t believe till I saw this photo.

Digital cameras make things too easy sometimes.

I am really pleased with the result of the shoot and the great team that came with it although it was actually just the 3 of us. It’s a pity that I was given only 2 pages to show the photos, would’ve to have loved more! (Note to Editor: Jonathan, are you reading this??)

Pages of the magazine. I myself have not even seen the physical copy yet.

Another photo that I love, but is unpublished.

Unpublished photo but I could not resist posting it here.

I have a number more unpublished photos but I’m too lazy to post them up here. Maybe if you beg or buy me dinner I would consider showing them to you :p  Anyway you must watch the Behind The Scenes video as well, simply because I put a lot of time into making them. He he he. I need to feel the love. I’m rambling too much now, bonne nuit!

Thanks for pulling a great effort, see you when I get back xx.